Sunday, February 26, 2012
Thursday, February 2, 2012
FREE Passes to ISA Expo 2012 in Orlando, FL
We are quickly approaching the ISA 2012 Expo in Orlando, FL. If you are planning on attending the expo and need a FREE pass, you can go to the www.signexpo.org/free and enter Nova's complimentary show Code 30285.
Nova is also providing a series of QR codes that will be strategically placed on the show floor. When you scan the codes you will be taken to a mobile version of the show planner which has the show floor map and a list of all show events.
Nova is exhibiting in Both 2559 this years and is sponsoring the Twitter wall again. Make sure you use the hashtag #isa2012expo when making tweets related to the show or Tweets that you want displayed on the Twitter wall.
Nova is also providing a series of QR codes that will be strategically placed on the show floor. When you scan the codes you will be taken to a mobile version of the show planner which has the show floor map and a list of all show events.Here are a few links to check out:
Please contact us if you would like to schedule an appointment at the expo.
Monday, January 30, 2012
Open The Door To Greener Signs
In January, Sign Builder Illustrated published their annual Green Supplement. If you haven't read it yet, don't miss Open The Door To Greener Signs.
Nova has an ad with a QR code that links to a web page with information on the green attributes of NovAcryl photopolymer.
Thursday, January 19, 2012
How To Create Compliant Photopolymer Braille to Meet the 2010 ADA Standard for Accessible Design
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| NovAcryl PT-118 by Acorn Sign Graphics |
Back Story
The 2010 ADA Standard for Accessible Design will be the first major code change that the DOJ has published since the inception of the ADA in the early 1990's and it reflects the 2004 ADAAG (ADA Accessibility Guideline) which has been the standard in the industry since it was published. Many states has since adopted the 2004 ADAAG into their state building codes. The 2010 Standard will bring continuity between the state and federal building codes.
The new 2011 ADA Standard does not have any language that is new or different from the 2004 ADAAG. There are however a few difference when compared to the original ADA such as sign mounting height and character kerning.
View and Download the 2010 ADA Standard for Accessible Design
Photopolymer Braille
The 2004 ADAAG and now the 2010 ADA Standard does have a line of text which reads "Section 703.3.1 Dimensions and Capitalization. Braille dots shall have a domed or rounded shape and shall comply with Table 703.3.1". This text has raised questions about photopolymer Braille since it was first introduced in 2004 ADAAG.
Nova has developed specific guidelines and tools that allow for consistent processing of NovAcryl photopolymer substrates along with custom software that has all the specific code information embedded to ensure the signs are design and built properly.
The Process: How Compliant Photopolymer is Achieved
There are four main steps in creating a photopolymer sign - artwork design, film generation, photopolymer processing and finishing.
- We start by reducing the actual size of the Braille diameter in our Workflow Manager (WM) software. WM is designed to follow all the current ADA guidelines which include kerning, character size, Braille placement, fonts and more. The dot size is reduced to .044" so that we can build a shoulder during the exposure process.
- Once the files are created a film negative needs to be generated with high enough density that allows for the proper exposure. Our InkStar Film Solution creates film with the proper density.
- The exposure of the photopolymer is measured using a 21 Step Stouffer Scale. This scale measures UV output which takes into account the wear on the bulbs ensuring proper exposure throughout the bulbs lifecycle. By using the scale we can accurately measure the exact size of the Braille.
- Once you have the proper dot size in the artwork and adequate exposure you will need to apply a top coat. This means a coating of paint for surface decorated signs or a clear coat for signs that are decorated sub-surface. We work very closely with Matthews Paint and per their specification you will need to apply a 4mil wet /2mil dry top coat on all photopolymer signs. This coating is the final step in creating complaint photopolymer Braille dots that "have a domed or rounded shape."
- Watch a Video and How to Process Photopolymer
- Watch a Video on how to use the 21 Step Stouffer Scale
- View and Download the 2010 ADA Standard for Accessible Design
- Link to the DOJ ADA Home Page
Conclusion
Nova is an AIA Continuing Education Provider and offers a course ADA Requirements for Room Identification Sign.
Contact Us for more information and stay tuned for our upcoming series of webinars that will focus on the ADA Requirement.
Tuesday, January 17, 2012
Top 5 Cold Weather Rules for Applying Paint
To obtain maximum performance of Matthew's products, follow these essential rules for applying paint in cold weather.
- Make sure your spray area is between 70°F and 85°F. Under no circumstances should you paint below 60°F.
- Maintain airflow in spray area around 100 CFM.
- Select reducers and catalyst to the ambient room temperature of the spray booth.
- Dry times increase if cold conditions prevail and decrease significantly if temperatures are above 85° F. Also, most dry time and pot life times are given at 70 - 75°F (21 - 24°C) with 50% relative humidity.
- For every 15° increase in temperature, dry time and pot life maybe cut in half. For every 15° decrease in temperature, dry time and pot life will double.
Thursday, December 29, 2011
Navigating the New ADA
Below is an article that appeared in the December issue of Sign Builder Illustrated. The article written by Craig Berger, Craig Berger Management Consulting, and discusses current issues surrounding the ADA.
By Craig Berger
Government policies can sometimes shape entire industries. Never has this been more true than with the Americans with Disabilities Act (ADA), which was signed into law by George H.W. Bush in 1992. The ADA not only opened up accessibility as part of the approval process for every building, but it helped create entire new industries that have spread accessible sign fabrication and materials technology from a small cottage industry to a global business.
Unfortunately the ADA also created a real mess for sign builders and designers. The ADA was civil rights legislation, and states were required to interpret this new legislation into their building codes (which were generally updated every few years). Faced with hitting a moving target of different state codes and varying interpretation among local officials, many sign makers often followed the path of least resistance and avoided creative solutions.
Eventually the ADA matured. The American National Standards Institute (ANSI) and the International Code Council (ICC) eventually updated their codes, which were adopted by the ADA. This created confusion though, as various states updated their codes beyond the first ADA while others did not. (And states like California decided to march to the beat of their own drum.)
Mike Santos, a principle with Nova Polymers and a well-known ADA educator to the sign community, highlights this continued confusion between state and federal codes as a problem in the sign industry. “We’ve been doing programs for the past seven years, and the issues have stayed the same,” he says. “Sign heights, color contrast, and even Braille doming are simple issues, but they’re still confusing, because of the disparity between federal and state codes.
“The new ADA is supposed to solve this, but I still see another few years of confusion.”
A Better Code Though Ambiguities Still Exist
Most experts agree that the new ADA is an improvement over the old, providing greater flexibility while being more logical. Particularly effective in the code is the separation between information for the visually impaired and information for the blind. This change reflected the reality that these two groups have vastly divergent needs.
While improving the code, this change does make it more complex—particularly for code official interpretation. Sign designers and builders must be even more direct when using and explaining the code.
The Top Issues in the New ADA
While there are dozens of complex issues with the ADA, the general consensus is that a small number dominate the interpretation issues between sign builders and designers. These include:
Sign heights. A seemingly simple issue, sign height has become among the most troublesome for sign builders and designers (pictured). Perhaps the dominant issue change in the new ADA is the change in sign heights from sixty inches to the center of the sign to a range of forty-eight to sixty inches from the bottom to the top of sign text.
This change was sorely needed, since sixty inches on center resulted in inconsistent sign heights on signs.
According to Matt Williams of Dixie Graphics, this one change has made huge ripples across the sign industry. “‘Sixty’ on center never made a great deal of sense, since the blind read information on signs and not the signs themselves, but it was always an easy code to understand,” he says. “Now code officials have to think about how this works, and companies need to train their own staff.
“Clients also need to gauge what they need to do with their existing systems.”
Sign placement. The new ADA provides greater guidance for the placement of signs, allowing tactile signs to be placed on the push side of doors with a closing mechanism, among other placement changes. This change clarifies the issue of signs on restroom doors.
Doming. Doming or rounding was never explicitly described in the code, creating confusion in the industry as to what Braille methodology makes the most sense. The new ADA provides more clarity providing for doming or rounding of Braille, which most ADA methodologies—from chemical etching to photopolymer to raster Braille—can accomplish.
Color contrast. Some parts of the ADA grew more specific, but this one issue is actually more general. The code itself hasn’t changed, still allowing for dark signs on a light background or light signs on a dark background.
However the 70 percent color contrast recommendation is no longer in the code. In other words, there’s now no contrast level requirement. This doesn’t prevent a state from passing specific color contrast codes or recommendations, but none has done so yet.
This doesn’t mean that signs can be extremely low contrast. Signs still need to be visible. A lawsuit can still be made, even if not explicitly in the code.
Temporary signs. A recurring issue over the last few years has been what to consider temporary and what to consider permanent identification on signs. For example, addressing systems can be used to cover any destination considered temporary, but in a few instances, it’s important to use the full name (pictured).
The new ADA solidifies the definition of an identification sign as representing destinations that are permanent for more than seven days (generally interpreted as rooms that have equipment that can’t be easily removed—like bathrooms and kitchens). All other destinations—like offices with changing names—can be represented by alphanumerical addresses.
Dual signs. Because of the separation in guidelines for the blind and the visually impaired in the new ADA, there’s a specific section on dual signs or signs that can utilize information for both the blind and the visually impaired. Braille and raised letters in this approach can be small and blend in with its background, while the visual information on the sign can use serif fonts and much larger type (making effective signs for both groups).
Unfortunately these signs are rarely used. Roger Whitehouse, a pioneer in accessible design, worked with ASI to create flexible dual modular signs and laments the lack of understanding that has hindered their use. He believes that, with the new ADA code, these types of signs—which meet the needs of the blind and the visually disabled—will become more prevalent (pictured). “After all the years of code development and design experiments showing their effectiveness, there’s still fear of using dual signs,” he says. “Hopefully the new ADA will finally encourage [their] use.”
Visual letter heights. The old ADA was uniform with its guidance for visual letter heights—three inches minimum for all overhead signs. This made it all but impossible to put in overhead wayfinding signs in most hospitals and other low-ceiling spaces.
The new code though allows for letter heights that better fit the environment they’re in, which is particularly important in transportation environments (pictured). The new ADA provides a two-inch minimum sign height along with height requirements above three inches for large distances and heights.
Chris Calori of Calori & Vanden-Eynden Design Consultants uses this example to show the greater understanding of both code flexibility and legibility. “In the old ADA, the three-inch height pretty much insured that there would be three-inch letters everywhere, making them too big in some spots and too small in others,” he explains. “Accepting a two-inch standard—but writing in language for adjusting to greater distances—allows the designer to make the best decision for the facility.”
Learn the New ADA
The new ADA offers designers and fabricators many more options. For those who want to get to know the code at a deeper level, it’s important to first understand the context of the code by reading it in detail.
The issues listed in this article are only the dominant ones. It’s important to review how sign codes sit inside of the entire ADA to see where it will impact your specific design decisions.
To download an HTML or PDF copy of the new ADA, CLICK HERE.
Craig Berger is principal of Craig Berger Management Consulting, a firm focused on devising marketing, education, and management approaches for designers, fabricators, manufacturers, and clients. He can be reached at craigberger19@comcast.net.
Government policies can sometimes shape entire industries. Never has this been more true than with the Americans with Disabilities Act (ADA), which was signed into law by George H.W. Bush in 1992. The ADA not only opened up accessibility as part of the approval process for every building, but it helped create entire new industries that have spread accessible sign fabrication and materials technology from a small cottage industry to a global business.
Unfortunately the ADA also created a real mess for sign builders and designers. The ADA was civil rights legislation, and states were required to interpret this new legislation into their building codes (which were generally updated every few years). Faced with hitting a moving target of different state codes and varying interpretation among local officials, many sign makers often followed the path of least resistance and avoided creative solutions.
Eventually the ADA matured. The American National Standards Institute (ANSI) and the International Code Council (ICC) eventually updated their codes, which were adopted by the ADA. This created confusion though, as various states updated their codes beyond the first ADA while others did not. (And states like California decided to march to the beat of their own drum.)
Mike Santos, a principle with Nova Polymers and a well-known ADA educator to the sign community, highlights this continued confusion between state and federal codes as a problem in the sign industry. “We’ve been doing programs for the past seven years, and the issues have stayed the same,” he says. “Sign heights, color contrast, and even Braille doming are simple issues, but they’re still confusing, because of the disparity between federal and state codes.
“The new ADA is supposed to solve this, but I still see another few years of confusion.”
A Better Code Though Ambiguities Still Exist
Most experts agree that the new ADA is an improvement over the old, providing greater flexibility while being more logical. Particularly effective in the code is the separation between information for the visually impaired and information for the blind. This change reflected the reality that these two groups have vastly divergent needs.
While improving the code, this change does make it more complex—particularly for code official interpretation. Sign designers and builders must be even more direct when using and explaining the code.
The Top Issues in the New ADA
While there are dozens of complex issues with the ADA, the general consensus is that a small number dominate the interpretation issues between sign builders and designers. These include:
Sign heights. A seemingly simple issue, sign height has become among the most troublesome for sign builders and designers (pictured). Perhaps the dominant issue change in the new ADA is the change in sign heights from sixty inches to the center of the sign to a range of forty-eight to sixty inches from the bottom to the top of sign text.This change was sorely needed, since sixty inches on center resulted in inconsistent sign heights on signs.
According to Matt Williams of Dixie Graphics, this one change has made huge ripples across the sign industry. “‘Sixty’ on center never made a great deal of sense, since the blind read information on signs and not the signs themselves, but it was always an easy code to understand,” he says. “Now code officials have to think about how this works, and companies need to train their own staff.
“Clients also need to gauge what they need to do with their existing systems.”
Sign placement. The new ADA provides greater guidance for the placement of signs, allowing tactile signs to be placed on the push side of doors with a closing mechanism, among other placement changes. This change clarifies the issue of signs on restroom doors.
Doming. Doming or rounding was never explicitly described in the code, creating confusion in the industry as to what Braille methodology makes the most sense. The new ADA provides more clarity providing for doming or rounding of Braille, which most ADA methodologies—from chemical etching to photopolymer to raster Braille—can accomplish.
Color contrast. Some parts of the ADA grew more specific, but this one issue is actually more general. The code itself hasn’t changed, still allowing for dark signs on a light background or light signs on a dark background.
However the 70 percent color contrast recommendation is no longer in the code. In other words, there’s now no contrast level requirement. This doesn’t prevent a state from passing specific color contrast codes or recommendations, but none has done so yet.
This doesn’t mean that signs can be extremely low contrast. Signs still need to be visible. A lawsuit can still be made, even if not explicitly in the code.
Temporary signs. A recurring issue over the last few years has been what to consider temporary and what to consider permanent identification on signs. For example, addressing systems can be used to cover any destination considered temporary, but in a few instances, it’s important to use the full name (pictured).The new ADA solidifies the definition of an identification sign as representing destinations that are permanent for more than seven days (generally interpreted as rooms that have equipment that can’t be easily removed—like bathrooms and kitchens). All other destinations—like offices with changing names—can be represented by alphanumerical addresses.
Dual signs. Because of the separation in guidelines for the blind and the visually impaired in the new ADA, there’s a specific section on dual signs or signs that can utilize information for both the blind and the visually impaired. Braille and raised letters in this approach can be small and blend in with its background, while the visual information on the sign can use serif fonts and much larger type (making effective signs for both groups).
Unfortunately these signs are rarely used. Roger Whitehouse, a pioneer in accessible design, worked with ASI to create flexible dual modular signs and laments the lack of understanding that has hindered their use. He believes that, with the new ADA code, these types of signs—which meet the needs of the blind and the visually disabled—will become more prevalent (pictured). “After all the years of code development and design experiments showing their effectiveness, there’s still fear of using dual signs,” he says. “Hopefully the new ADA will finally encourage [their] use.”
Visual letter heights. The old ADA was uniform with its guidance for visual letter heights—three inches minimum for all overhead signs. This made it all but impossible to put in overhead wayfinding signs in most hospitals and other low-ceiling spaces.
The new code though allows for letter heights that better fit the environment they’re in, which is particularly important in transportation environments (pictured). The new ADA provides a two-inch minimum sign height along with height requirements above three inches for large distances and heights.
Chris Calori of Calori & Vanden-Eynden Design Consultants uses this example to show the greater understanding of both code flexibility and legibility. “In the old ADA, the three-inch height pretty much insured that there would be three-inch letters everywhere, making them too big in some spots and too small in others,” he explains. “Accepting a two-inch standard—but writing in language for adjusting to greater distances—allows the designer to make the best decision for the facility.”
Learn the New ADA
The new ADA offers designers and fabricators many more options. For those who want to get to know the code at a deeper level, it’s important to first understand the context of the code by reading it in detail.
The issues listed in this article are only the dominant ones. It’s important to review how sign codes sit inside of the entire ADA to see where it will impact your specific design decisions.
To download an HTML or PDF copy of the new ADA, CLICK HERE.
Craig Berger is principal of Craig Berger Management Consulting, a firm focused on devising marketing, education, and management approaches for designers, fabricators, manufacturers, and clients. He can be reached at craigberger19@comcast.net.
Tuesday, December 6, 2011
Nova Sponsors ADA Teleconference
December 7, 2011
ADA Teleconference
Themes: ADA, Accessibility, Sign Codes
1:00 p.m. EST
SEGD ADA courses are sponsored by ASI Signage Innovations, Nova Polymers, and APCO.
Don't miss this last ADA event of 2011!
This workshop will review interpretations to date of the 2010 ADA Accessibility Guidelines and will present a preview of new interpretations to be released in early 2012 in the SEGD ADA White Paper. Among the topics to be discussed will be how to determine exactly when and with which codes, regulations, and guidelines your projects must comply. Explanatory illustrations and descriptions for the new SEGD White Paper will be previewed.
Fees
SEGD Members $50.00
Nonmembers $100.00
Monday, November 21, 2011
Purchasing Photopolymer Equipment Made Easy
We have partnered with Direct Capital Financing and now offer an easy-to-use online application form for Equipment Financing. In a matter of minutes you can fill out the form, submit and get an answer.
Interested in what your Section 179 Tax savings will be? Use our instant online Section 179 Tax Savings Calculator to find out.
We will be exhibiting at the USSC Sign World Expo in Atlantic City on December 1-3. Stop by and see us in Booth 309 and see our photopolymer equipment live!
Contact us for more information.
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